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Books on english literature

Books on english literature

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"LADY. With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected."In 1700, when The Way of the World was performed on the English stage at Lincoln’s Inn Fields (a new theatre that William Congreve managed), it was not a popular success. This was the last play Congreve was to write, perhaps for that reason. Since that time, however, this play has come to be regarded not only as Congreve’s masterpiece, but as a classic example of the Comedy of Manners. The play is aptly named for two reasons. First, its action takes place in the “present,” which means it reflects the same social period during which the play was originally performed. Second, as a comedy of manners, its purpose is to expose to public scrutiny and laughter the often absurd yet very human passions and follies that characterize social behavior. It therefore transcends its time by holding a mirror to the fashionable world in all of its frivolity and confusion while posing something more precious and sensible as an antidote.As with all comedies of this type, the principle comic material consists of sexual relations and confrontations. Marriages are made for the sake of convenience and tolerated within precise social limits. Affairs are conventional, jealousies abound, lovers are coy, and gallantry is contrived. Dowries are the coin of the marriage realm and therefore they are of central concern in all contracts and adulterous intrigues. Congreve makes clear that the general way of the world may be funny but it is not particularly nice. In the way of all romantic comedies the “marriage of true minds” is finally achieved, but humiliation, cruelty, and villainy are the means by which the action goes forward. His comedy is not intended to remedy the world, of course, but to offer an insightful and amusin

3 months ago
The Alchemist by Panlo Coelho

The Alchemist by Panlo Coelho

₹110

Like the one-time bestseller Jonathan Livingston Seagull, The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sniff a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalusian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream. Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night. "Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity." --Gail Hudson

3 months ago
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